Autopsia / Autopsy, 1998
Width: 200cm
Height: 150cm
Medium: Sculpture - cloth, wood, metal and photography
EXHIBITIONS:
1998 2⁰ Salón de Arte Cubano Contemporáneo. Centro de Desarrollo de las Artes Visuales, Havana.
2007 (May 29-Sep 9) Cuba Avant-Garde: Contemporary Cuban Art from the Farber Collection, Samuel P. Harn Museum of Art, University of Florida,
Gainesville, FL
2007 (Oct 7-Dec 31) Cuba Avant-Garde: Contemporary Cuban Art from the Farber Collection, John & Mable Ringling Museum of Art, Sarasota, FL
2009 (Oct 3-Jan 4) Cuba Avant-Garde: Contemporary Cuban Art from the Farber Collection, Jordan Schnitzer Museum, University of Oregon, Eugene, OR
2010 (Oct 15-Jan 10) Cuba Avant-Garde: Contemporary Cuban Art from the Farber Collection, Winnipeg Art Gallery, Winnipeg, Manitoba, Canada
2010 (Feb-Apr 4) Cuba Avant-Garde: Contemporary Cuban Art from the Farber Collection, Lowe Art Museum, University of Miami, Coral Gables, FL
2010 (Jun 27-Sep 19) Cuba Avant-Garde: Contemporary Cuban Art from the Farber Collection, Katonah Museum of Art, Katonah, NY
2012 Caribbean Crossroads of the World, Studio Museum of Harlem, New York
REFERENCES:
Catalogue of cited exhibition, 1998, p. 50. Ileana Cepero,, “Fin de siglo. Metáfora para un salón,”La Gaceta de Cuba 1 (1999), pp. 46-47. Jorge de Armas, “Salón (Entre paréntesis),” La Gaceta de Cuba 1 (1999), p.50.
David Mateo, “Metáforas de finales para errores de principio,” Revolución y Cultura 1 (1999). Dannys Montes de Oca, “II Salón de Arte cubano contemporáneo, Ideas cruzadas,” Arte Cubano 1 (1999), p.10. Ariel Ribeaux Diago,“Ni Músicos Ni Deportistas,” Arte Cubano 3 (2000), pp.56-57. Andrés Isaac Santana, Nosotros los más infieles: narraciones críticas sobre el arte cubano (Murcia, Spain: CENDEAC, 2007), pp. 608, 614. Abelardo Mena Chicuri, Cuba Avant-Garde: Contemporary Cuban Art from the Farber Collection (University of Florida Press, 2007). Janet Batet, “El Caribe, megaexposición en Nueva York,” El Nuevo Herald (6-25-2012),
